A critical look at American society and its growing substitution of manufactured experiences and events for actual experience and events. This piece of social criticism is even more remarkable for how early these trends in American culture were discerned by the author. [917.3]
This book is more than 50 years old. It may even seem a bit quaint in what it considers shallow or unworthy. At times the audible sigh of a world-weary observer comes through the text. Boorstin did become a social conservative. (He was, however, of the type of old-line conservative that has been replaced by a "conservatism" of advocacy.) These aspects may make the book a slower read at points. It may seem to be describing a world we acknowledge is long gone rather than as a world that is still slipping away. If anything, there is no way to go back to the American society of 1960..
Still, the book is a striking read and is recommended.
This is a deeply perceptive analysis about the direction of American culture in the middle of the 20th century. Although the book was first written in 1962, the analysis could read as a modern critique of American culture and our intellectual and moral outlook. The key concept for this book is the "pseudo-event." A pseudo-event is a planned happening or news event, like a press conference. It an event arranged or brought about merely for the sake of the publicity it generates, especially one designed to appear spontaneous or unplanned. It isn't truly spontaneous, but is particularly designed for press coverage. Boorstin defines a pseudo-event as an ambiguous truth that appeals to people's desire to be informed. The problem, in the author's judgement, is that our "news" is increasingly made up of pseudo-events.
One of his key examples is the 1960 Presidential debate. Boorstin questions whether the quiz show format is in any realistic way revealing about what sort of President either man might be. (This trend has only worsened as the response time allotted to a speaker is reduced to a few minutes.) Note what is remembered about that first in the Presidential debates series: that Nixon perspired and looked unshaven because of the make-up he was wearing and that perceptions of who carried the debate depended on whether one saw it on television or heard it on the radio. Although such an event feels like something important is occurring, subsequent debates have come down to exercises in which each candidate is trying to land a well-rehearsed catchphrase rather than outline in any detail specifics of his programs.
One of his key examples is the 1960 Presidential debate. Boorstin questions whether the quiz show format is in any realistic way revealing about what sort of President either man might be. (This trend has only worsened as the response time allotted to a speaker is reduced to a few minutes.) Note what is remembered about that first in the Presidential debates series: that Nixon perspired and looked unshaven because of the make-up he was wearing and that perceptions of who carried the debate depended on whether one saw it on television or heard it on the radio. Although such an event feels like something important is occurring, subsequent debates have come down to exercises in which each candidate is trying to land a well-rehearsed catchphrase rather than outline in any detail specifics of his programs.
Flowing from the concept of a pseudo-event is the author's definition of a celebrity as a person who is famous for being well known. That the concept is an empty tautology is of no matter to society today. The critical difference from Boorstin's view is that one may not be able to consciously become a nationally honored hero, but one can campaign to become a celebrity with a good chance of success. All that is required is the effort and means of getting one's name known. (Our mass media and our need for something to talk about in a full-day news business have made the task of becoming a celebrity easier.) Think of how often Warhol's "15 minutes of fame" aphorism is invoked today.
The second key concept is "image." Boorstin argues that our culture has replaced ideals with images. The difference between the two is significant. An ideal, say, honesty, is a goal or quality. It may not be attainable fully, but it is something to aspire to. An image is a created picture of oneself or of a corporation or any other organization. An image can be changed. An image is expected to be achievable. This book is more than 50 years old. It may even seem a bit quaint in what it considers shallow or unworthy. At times the audible sigh of a world-weary observer comes through the text. Boorstin did become a social conservative. (He was, however, of the type of old-line conservative that has been replaced by a "conservatism" of advocacy.) These aspects may make the book a slower read at points. It may seem to be describing a world we acknowledge is long gone rather than as a world that is still slipping away. If anything, there is no way to go back to the American society of 1960..
Still, the book is a striking read and is recommended.